• Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
  • Who are we?
  • Why this site?
  • The newsletter
  • Submit articles
  • Contact
  • Code of ethics
  • Legal information
  • Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
Afrique XXI Themes

Politics

  • Coup
  • Democracy
  • Political assassination
  • Corruption
  • Political crisis
  • Political Islam
  • Social policy
  • Crackdown
  • Politique
  • Révolution
  • The image depicts a scene where a young man is on his knees, appearing to be in a moment of distress or surrender. He is surrounded by coils of barbed wire on the ground. In the background, there are several individuals observing the situation, some appearing to be standing casually while others are more focused on what is happening. The setting looks to be an outdoor area, possibly a street, with greenery in the background. The overall atmosphere seems tense and conveys a sense of conflict or protest. Exposing a $2B Scam, Stranded in Exile: Kenya’s Whistleblower Trap Robert Amalemba · 28 May
  • The image depicts a large gathering of people in a vibrant setting, likely representing a celebration or demonstration. Crowds are tightly packed together, with some individuals holding colorful flags, possibly indicating a cultural or political event. One person stands out in the center, engaging the crowd, which looks enthusiastic and expressive. The mood appears lively, with a sense of unity among the participants. Various expressions and clothing styles suggest a diverse group, reflecting a shared purpose or message. An umbrella can be seen, hinting at the weather conditions. Overall, it captures a moment of collective energy and communal spirit. Ethiopia. In Tigray, ’no one wants to return to war’ Augustine Passilly · 16 May
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur · 9 May
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy · 18 April
  • The image depicts a scene from a polling station during a parliamentary election. A man, likely an election official, is holding up a ballot sheet for voters to see. In front of him is a transparent box labeled "PARLIAMENTARY ELECTIONS," suggesting it's used for collecting votes. In the background, several people are gathered, observing the process, while some focus on the official. The setting appears to be outdoors, possibly in a community area, and there's a sense of engagement and participation in the democratic process. Conflict and Democracy: Africa’s Dilemma Souleymane Yameogo · 2 April
  • The image shows a scene set in an ornate room. A military officer, dressed in camouflage with a green beret, is smiling and appears to be interacting with another individual. The background features decorative elements, including curtains and flags, likely representing Gabon or an official entity. There are also books and documents in the hands of a person standing to the left, indicating a formal context, possibly a meeting or ceremony. The overall atmosphere seems official and ceremonial. In Gabon, ‘Oligui Nguema has been campaigning since his coup d’état’ by Joseph Tonda Michael Pauron · 20 March
  • The image depicts a rural scene where several individuals are engaged in harvesting rice. In the foreground, one person is lifting a large bundle of straw or rice. In the background, a group of people can be seen working together, possibly stacking harvested straw into larger piles. The landscape appears to be an open field with golden, recently harvested rice plants scattered across the ground. The sky is overcast, suggesting a cloudy day. The atmosphere seems industrious, highlighting the communal effort in agricultural work. Senegal. Sovereignty Put to Test Without U.S. Aid Clément Bonnerot · 13 March
  • The image depicts a protester holding a cardboard sign that reads "REJECT THE FINANCIAL BILL PUNNYASS." The individual is wearing a white shirt and has their hair styled in large, coiled forms. They are raising a fist in a gesture of defiance or solidarity, and are also wearing a mask over their face. The background includes other people and a busy street scene, suggesting a gathering or demonstration. Kenya. Despite enforced disappearances, Generation Z continues to challenge William Ruto Maina Waruru · 10 February
  • The image depicts a barren landscape characterized by a vast, empty stretch of land, likely a desert or arid region. The foreground features a dirt road that leads into the distance, flanked by dry, flat terrain. The sky overhead is clear and blue, creating a stark contrast with the earthy tones of the ground. The overall scene conveys a sense of isolation and openness, typical of remote, dry environments. Hostage, witnesses, journalist: Olivier Dubois Talks about AI-Qaeda in the Islamic Maghreb Nathalie Prévost · 27 January
  • The image depicts a scene from a military operation involving United Nations peacekeepers. In the foreground, a military vehicle marked with "UN" is parked on a grassy area overlooking a landscape. Several soldiers in blue helmets, which signify their affiliation with the UN, are positioned around the vehicle. They appear to be surveying the area, which includes a view of a village with rooftops in the background. The atmosphere seems calm, with a cloudy sky adding to the setting. The soldiers' uniforms suggest they are part of a peacekeeping mission, emphasizing their role in maintaining stability in the region. In DR Congo, a Western vision perpetuates violence Christoph Vogel, Aymar Nyenyezi Bisoka · 20 January
  • The image depicts the entrance to a central prison, labeled "PRISON CENTRALE DE MAKALA." The scene shows a sandy area with a few people walking near the entrance. On the left, there is a booth or kiosk marked "JETON D'ACCÈS," and on the right, another booth labeled "ENTRÉE." In the background, there are trees and a clear blue sky with some clouds. A few vehicles are parked nearby, adding to the overall setting of the prison facility. Kinshasa’s Makala prison: incompetence brings women’s night terror Denis Augustin Samnick · December 2024
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron · November 2024
0 | 12
  • Code of ethics
  • Contact
  • Legal information
  • Submit articles
  • The newsletter
  • Who are we?
  • Why this site?
© Association Afrique XXI, 2013-2025 – 10, rue des Prairies, 75020 Paris, France – ISSN 2270-0978