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Afrique XXI Countries > Europe

France

  • “We Don’t Need New Masters - Only Genuine Partners.” Dan Sanaren, Mathieu Pourchier · 16 January
  • The image features a man in a suit and a cap, gesturing while speaking at a press conference or similar setting. He appears to be in front of a landscape of rolling hills or mountains, which are shown in a monochrome style to highlight the subject. The background scenery emphasizes the natural environment, contrasting with the formal attire of the man, who seems to be making an important point. The overall composition combines elements of nature and a formal discussion. DR Congo. Roger Lumbala and the “erasers” of Ituri and North Kivu Justice Lola Collombat · November 2025
  • The image shows two men shaking hands outside a large building, likely a government or official residence. One man is wearing a dark suit and the other is dressed in a suit and tie, likely representing different nations. Behind them, there is a large flag of France, and guards in traditional uniforms stand watch. The setting suggests a formal meeting or diplomatic engagement. Paris’s Ideal Ally Fanny Pigeaud · November 2025
  • The image shows two men, one wearing a suit with a tie, raising their hands together in a gesture of solidarity or celebration. They are smiling and appear to be in a public setting. In the background, there are several flags visible, suggesting an international context or event. The atmosphere seems positive and hopeful. How Ouattara patiently built his network in Paris Fanny Pigeaud · October 2025
  • The image depicts a scene where a young man is on his knees, appearing to be in a moment of distress or surrender. He is surrounded by coils of barbed wire on the ground. In the background, there are several individuals observing the situation, some appearing to be standing casually while others are more focused on what is happening. The setting looks to be an outdoor area, possibly a street, with greenery in the background. The overall atmosphere seems tense and conveys a sense of conflict or protest. Exposing a $2B Scam, Stranded in Exile: Kenya’s Whistleblower Trap Robert Amalemba · May 2025
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy · April 2025
  • The image is a collage made up of three historical photographs. 1. The first photo features two soldiers posing next to a tank, likely indicating a military setting from a past conflict. 2. The second photo shows a group of soldiers walking along a dirt path, with civilians, including children, visible in the scene, suggesting a backdrop of active military presence or conflict. 3. The third photo depicts a group of armed soldiers standing together, holding a flag and possibly engaging in a ceremonial or formal activity. Overall, the images appear to capture moments related to military operations or historical events, possibly during a war or conflict. The astonishing legacy of French counter-insurgency doctrine Victoria Brittain · February 2025
  • The image depicts a barren landscape characterized by a vast, empty stretch of land, likely a desert or arid region. The foreground features a dirt road that leads into the distance, flanked by dry, flat terrain. The sky overhead is clear and blue, creating a stark contrast with the earthy tones of the ground. The overall scene conveys a sense of isolation and openness, typical of remote, dry environments. Hostage, witnesses, journalist: Olivier Dubois Talks about AI-Qaeda in the Islamic Maghreb Nathalie Prévost · January 2025
  • The image shows a person walking through the entrance of "Cimetière Militaire de Thiaroye," a military cemetery. The archway is prominently displayed, with the name of the cemetery written above. On either side of the entrance, there are colorful flags painted on the walls. The person in the foreground is carrying a large container on their head, and the scene is partly illuminated by natural light, surrounded by palm trees and greenery. The sky is overcast, giving a muted ambiance to the setting. Thiaroye 1944. The Final Shadows of a Colonial Massacre Clair Rivière · November 2024
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron · November 2024
  • L'image représente un atelier se déroulant dans une salle de réunion. Au premier plan, deux personnes sont assises à une table. À gauche, un homme portant une chemise traditionnelle grise. Il semble s'exprimer avec enthousiasme, levant une main pour souligner un point important. À droite, une femme avec des cheveux bouclés est assise, portant un t-shirt orange. Elle l'écoute attentivement. En arrière-plan, un écran présente le mot "Atelier" en lettres d'origine orange. La scène est empreinte d'une atmosphère collaborative et interactive. Ali Idrissa. «Today, uranium is synonymous with injustice» Rémi Carayol · October 2024
  • L'image représente un sous-marin de type Suffren, mis en avant lors d'une cérémonie en extérieur. Le sous-marin, aux couleurs caractéristiques bleu, blanc et rouge, se dresse majestueusement avec une grande coque stylisée. Le chiffre « 12 » est visible sur le côté. Devant le sous-marin, on voit plusieurs personnes en tenue de travail. À gauche, deux hommes portent des combinaisons bleues, un troisième homme, en costume, semble féliciter le projet, tandis que le quatrième, en uniforme, adopte une posture militaire. L'arrière-plan est dégagé avec un ciel bleu, ce qui donne une impression de journée ensoleillée. La scène évoque un moment de fierté et de célébration pour les employés et les responsables militaires, symbolisant un jalon important dans le domaine naval. Nigerien Uranium at the Service of France’s “Greatness” Rémi Carayol, Olivier Blamangin · October 2024
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