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Afrique XXI Countries

Afrique de l’Ouest

  • Burkina Faso
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  • The image depicts a mural on a concrete wall, featuring a portrait of a man with gray hair and a thoughtful expression. The mural also includes a quote attributed to Nelson Mandela that reads, "We know too well that our freedom is incomplete without the freedom of the Palestinians." The background is a textured concrete surface, and there are some graffiti elements in red. The scene suggests themes of solidarity and freedom, particularly regarding the Palestinian struggle. “The bloodbath in Palestine is similar to those committed during colonisation in Africa” Raouf Farrah · 16 June
  • The image depicts a statue, likely an elephant, that is visibly weathered and covered in numerous political posters and flyers. These posters, in various colors, are peeling and overlapping, suggesting a history of political campaigns or events. The statue is situated in an outdoor area, surrounded by greenery and a fence in the background. The overall scene conveys a sense of urban life and the passage of time through the accumulation of posters. Mali, Burkina Faso, Niger... The end of political pluralism Wendyam Hervé Lankoandé · 6 June
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur · 9 May
  • The image depicts a communal setting, likely a gathering or an event. In the foreground, a woman, dressed in a white top and a patterned shawl, raises her hands as if in prayer or meditation, demonstrating a moment of reverence or reflection. She appears focused and engaged in her spiritual practice. In the background, a variety of people are present, including individuals standing and others seated, indicating a diverse group participating in this activity. The interior of the space has wooden beams and a rustic charm, illuminated by soft lighting. The overall atmosphere seems to be one of community and spiritual connection. From the U.S. to Nigeria: How a ‘Christian Genocide’ Narrative Is Being Manufactured Marc-Antoine Pérouse de Montclos · 2 May
  • The image depicts a rural landscape characterized by dry, barren land. There are patches of brown grass and sparse vegetation, indicating an arid environment. In the foreground, a small structure with a white roof sits alongside a dirt path. In the background, a few more buildings can be seen, scattered amidst the landscape. The atmosphere appears hazy, possibly due to dust or smoke, giving the scene a muted and subdued appearance. Sparse trees dot the area, and the overall setting suggests a remote, pastoral region. Togo. In the Oti-Kéran National Park, displaced people and refugees are trying to survive Robert Kanssouguibe Douti · 27 March
  • The image depicts a rural scene where several individuals are engaged in harvesting rice. In the foreground, one person is lifting a large bundle of straw or rice. In the background, a group of people can be seen working together, possibly stacking harvested straw into larger piles. The landscape appears to be an open field with golden, recently harvested rice plants scattered across the ground. The sky is overcast, suggesting a cloudy day. The atmosphere seems industrious, highlighting the communal effort in agricultural work. Senegal. Sovereignty Put to Test Without U.S. Aid Clément Bonnerot · 13 March
  • The image depicts a barren landscape characterized by a vast, empty stretch of land, likely a desert or arid region. The foreground features a dirt road that leads into the distance, flanked by dry, flat terrain. The sky overhead is clear and blue, creating a stark contrast with the earthy tones of the ground. The overall scene conveys a sense of isolation and openness, typical of remote, dry environments. Hostage, witnesses, journalist: Olivier Dubois Talks about AI-Qaeda in the Islamic Maghreb Nathalie Prévost · 27 January
  • The image shows a person walking through the entrance of "Cimetière Militaire de Thiaroye," a military cemetery. The archway is prominently displayed, with the name of the cemetery written above. On either side of the entrance, there are colorful flags painted on the walls. The person in the foreground is carrying a large container on their head, and the scene is partly illuminated by natural light, surrounded by palm trees and greenery. The sky is overcast, giving a muted ambiance to the setting. Thiaroye 1944. The Final Shadows of a Colonial Massacre Clair Rivière · November 2024
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron · November 2024
  • The image features a formal gathering of a group of individuals, likely in a ceremonial setting. They are wearing traditional attire, which includes colorful robes adorned with striped and patterned elements. Many of them are also wearing distinctive hats or headgear. The setting appears to be well-decorated, possibly for an official event, with a red carpet and banners or decorations in the background. A few individuals stand out in military or official uniforms, suggesting a mix of civilian and military presence at the event. Back to square one for justice in Burkina Faso Malik Kassongué · November 2024
  • L'image représente un atelier se déroulant dans une salle de réunion. Au premier plan, deux personnes sont assises à une table. À gauche, un homme portant une chemise traditionnelle grise. Il semble s'exprimer avec enthousiasme, levant une main pour souligner un point important. À droite, une femme avec des cheveux bouclés est assise, portant un t-shirt orange. Elle l'écoute attentivement. En arrière-plan, un écran présente le mot "Atelier" en lettres d'origine orange. La scène est empreinte d'une atmosphère collaborative et interactive. Ali Idrissa. «Today, uranium is synonymous with injustice» Rémi Carayol · October 2024
  • The image depicts a historical scene likely from a public event or rally. In the foreground, two men are engaging in conversation; one is dressed in a military uniform, while the other wears a military-style jacket with insignia. They both seem to be smiling and interacting positively. Behind them, a crowd of people of various ages is visible, with many holding flags and displaying enthusiastic gestures. The atmosphere appears lively, suggesting a moment of celebration or political significance. The image is in black and white, adding to its historical context. “The forces that were arrayed against Thomas Sankara were too much” Victoria Brittain · October 2024
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